中华之美丛书围绕中华优秀传统文化这一主题，择取其中15个专题分别加以介绍。这15个专题，包括以思想、智慧、艺术为主的无形遗产，以工艺、器物为主的有形遗产，以衣食住行乐为主的民俗生活，它们精心构架，有机结合，勾勒出中国文化的一个总体面貌，并反映出中华文化独一无二的理念、智慧、气度、神韵。
中国文学的历史至少可以追溯到3000多年前。它包括一脉相承、绵延至20世纪初叶的古代文学，也包括20世纪以来在文学观念、内容、语言诸方面已经发生全方位转型的现当代文学。本书简要介绍了中国文学从古至今数千年的发展历程，并以重点作家作品为中心，帮助读者朋友去感受中国文学的美，并通过文学的视角，去了解文学所关照的中国人的生存状况和内在精神世界。 The history of Chinese literature can be traced to more than 3,000 years ago at least. It includes ancient literature before the early 20th century traceable to the same origin and modern and contemporary literature since the 20th century with fully changed literary concepts, contents and language.This book briefly introduces the course of Chinese literatures development in the past thousands of years and focuses on key writers works to help readers feel the beauty of Chinese literature and learn about the existence and mental world of Chinese people in literary works.
關於作者：
李春雨，文学博士，北京语言大学教授、硕士生导师，主要从事中国现当代文学与文化、汉语国际教育方面的教学和研究。近年来，先后在国内社科核心期刊发表学术论文40余篇，并参与或主持完成多个省部级研究课题。代表性论著有《出版文化与中国文学的现代转型》《北京文化的异域审视》《中国现代文学资料与研究》《曹禺评说七十年》《心灵的憩园走进巴金的》等。20092010年，赴美国西点军校外语系任教，并在日本、新加坡及台湾、香港和澳门等国家和地区进行文化交流。 Li Chunyu, Ph.D., is a professor and M.A. supervisor at Beijing Language and Culture University, mainly engaging in teaching and research of Chinese modern and contemporary literature and culture and international Chinese education. In recent years, she published more than 40 academic essays in domestic core social sciences journals and participated in or completed as person in charge several provincial and departmental research projects. Representative works include Modern Transformation of Publishing Culture and Chinese Literature, Beijing Culture Examined from a Foreign Perspective, Chinese Modern Literary Materials and Research, Comments on Cao Yu in 70 Years, Resting Place for SpiritApproaching Ba Jins The Family, etc.
目錄：
ForewordOverview of the Development of Chinese Ancient LiteratureHistorical Course of Chinese Ancient LiteratureMain Characteristics of Chinese Ancient LiteratureModel EssaysProse of Various Pre-Qin Schools of ThoughtSima Qian and Records of the Grand HistorianEight Great Prose Masters of the Tang and Song DynastiesSplendid PoetryThe Book of Songs： The First Collection of PoemsQu Yuan： Romantic Lyric PoemsTao Yuanming： A Hermits Pastoral PoemsPoet Immortal Li BaiPoet Sage Du FuBai Juyi and New YuefuBeautiful Ci PoetrySu Shi： Creating a New State of Ci PoetryLi Qingzhao and Graceful and Restrained Ci PoetryXin Qiji and Bold and Unconstrained Ci PoetryLate Maturity of DramaGreat Yuan Drama Writer Guan HanqingRomance of the West Chamber, a Never-failing DramaTang Xianzus Drama LegendsPeak of NovelsHistorical Novel Romance of the Three KingdomsHeroic Legend Water MarginGods and Demons Novel Journey to the WestGhost Novel Strange Stories from a Chinese StudioMasterpiece Dream of the Red ChamberOverview of the Development of Chinese Modern and Contemporary LiteratureHistorical Course of Chinese Modern and Contemporary LiteratureMain Characteristics of Chinese Modern and Contemporary LiteratureModern Novels： Echoes of the TimesLu Xun： Founder of New LiteratureBa Jin and His Torrents TrilogyLao She and His Beijing Civil SocietyShen Congwens World of West HunanEileen Changs Life LegendsModern Poetry： Looking for Its Own VoiceGuo Moruo： Destruction and CreationXu Zhimo： Crescent Moon PoetryAi Qing： A Modern Poem Rooted in EarthMu Dan： Abundance and the Pain of AbundanceModern Stage Plays： Transplantation and DevelopmentCao Yu： Born for DramaTian Han： Drama like LifeNew Period New Trends of PoetryThe Rise of Obscure PoetryBei Dao： A Rational PoetGu Cheng： A Fairy Tale PoetHai Zi： The Catcher in the RyeNew Period Diversified NovelsJia Pingwa and Root-seeking NovelsYu Hua and Vanguard NovelsSu Tong and New Historical NovelsMo Yan and Hallucinatory RealismConcluding Remarks： New Trends of Literature in the New Century
內容試閱：
On October 11, 2012, the Swedish Academy awarded that years Nobel Prize in Literature to Chinese writer Mo Yan. For the development of Chinese literature, this event cannot be underestimated. Mo Yan became the first Chinese writer to win the Nobel Prize in Literature, and ended Chinas history of winning no Nobel Prize in Literature. This shows that Chinese literature is going global and gradually winning attention and recognition of world literature from a special angle. The prize won this time not only made a dream of Chinese literary circles come true, but also made Chinese people treat the Nobel Prize calmly. Meanwhile, Chinese literature also strengthened reflection on its development. According to Nobel Committees prize announcement, Mo Yan in his novels with hallucinatory realism merges folk tales, history and the contemporary, and his reflection on history and analysis of human nature moved not only Chinese people, but also readers in other countries. This shows that the literature that can transcend time and national boundaries is the literature focusing on real life and writing about peoples souls instead of the literature expressing political views or catering to the book market and consumption culture. Apart from Mo Yan, many contemporary Chinese writers with unique personalities have creative strength and potential such as Jia Pingwa, Chen Zhongshi, Wang Anyi, Yu Hua, Su Tong, Liu Zhenyun, Bi Feiyu and Chi Zijian. Their works contain different perceptions of life, and build their spiritual homes from different perspectives. There are also a lot of overseas readers of their works.In view of the remoter history, Chinese literature can at least be traced to more than 3,000 years ago. From that time to the early 20th century, Chinese ancient literature came down in one continuous line, lasted thousands of years, nourished the souls of Chinese people of all generations, and established the Chinese nations cultural identity. In the early 20th century, all-round transformation of Chinese literature took place, including literary concepts, contents and language and even the relationship with world literature. Thus Chinese literature entered a new stage.In the new century, with the continuous enhancement of Chinas overall strength and gradual improvement of Chinas international status, more and more people began to pay attention to China. The deepening of Chinas reform and opening up also promoted exchange between China and the world, laying a good foundation for Chinese literature to further go global. As an important component of Chinese culture, Chinese literature enters the arena of world literature and merges with world culture continuously. Literature carries Chinas profound history, reflects the complex and changeful reality of todays Chinese society, and embodies Chinese peoples dream of a better future. Literature is the best spiritual garden for communication between China and the world. Manifesting the whole worlds common concerns and displaying the whole mankinds human feelings and human nature should be Chinese literatures responsibilities.Since ancient times, this has been a tradition of Chinese literature.
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